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February 08, 2006

今日の通勤CD(バッハ・マタイ受難曲)

バッハ・マタイ受難曲/ヘレヴェッヘ/シャペル・ロワイヤル/コレギウム・ヴォカーレ(harmonia mundi FRANCE HMX 2901155.57)
060208001.jpg
こんな気分の時はマタイに手が伸びる。思えば2000年の9月23日,大雨の中,車を運転しながら聴いたのが,マタイに対するこのような思いに初めて気づいた時ではなかったか。人間の弱さをあからさまにしてしまうこの音楽から,自分の現在の苦しみの原因がまさに自分の弱さであるということを否応なく突きつけられる。それがわかっているからマタイを聴きたくなるのだろうと思う。
人の罪を背負うイエスの物語を借りて,人間の弱さが次々と示される。イスカリオテのユダやペテロや民衆たちが,弱き心の故にとってしまう行動と続いて訪れる後悔。今日はどの場面も本当に涙なしには聴けなかった。しかし,物語の序盤,第10曲のコラールが鳴り響くとき,人間の罪がその弱さの故であることを,バッハの和声がはっきりと示しているということに今日気づいた。「自分が罰を受けるべき」というテキストに込められた思いの音化は見事としかいいようがない。自分の心と正対するということの重要さを,バッハの音楽が教えてくれる。目を逸らすことなく自分の心を見つめ,自分の弱さを認める。そのことでしか人間は苦しみを浄化することはできない。これは宗教だからとかではなく,真実だと思う。こんなことを感じさせてくれる音楽はなかなかあるまい。

さて,演奏のほうではやはりリヒター盤の呪縛に囚われすぎているのか,「劇的」でないなぁと思ってしまった。例えば「十字架に架けろ!」の合唱などは,群集心理に踊らされた民衆の狂気に満ちた雰囲気を感じるリヒター盤に比べて非常に静かな雰囲気。本当に十字架に架ける気があるの?といった感じだ。しかし,スコアを素直に音にするとこうなる,ということも言えるだろう。アタックやスタッカートなどが記譜されているわけではないし。刷り込みのない素直な心で音楽を聴かなければ,ということもまた思った次第。

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