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June 03, 2005

今日の通勤CD(ゼレンカ・エレミアの哀歌)

ゼレンカ・エレミアの哀歌/ヤーコプス(cond,alto)/メ(ten)/ヴィトマー(bass)/バーゼル・スコラ・カントールム器楽合奏団(deutsche harmonia mundi BVCD-5039)
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哀歌は聖週間のための音楽なので,ゼレンカのこの作品も聖水曜日,聖木曜日,聖金曜日のためのそれぞれ2つづつの哀歌からなっている。(本来は木,金,土曜日用のそれぞれ3つの章句が定められているらしいが,14世紀頃以降の慣習でその前夜に行われるようになっていたらしいのと,なぜかゼレンカはそれぞれ最初の2つの章句にしか作曲していない。)
曲は6曲のカンタータからなる構成で,順に,バス:ハ短調,アルト:ヘ長調,テノール:変ロ長調,バス:ト短調,テノール:イ長調,アルト:ヘ長調,というもの。器楽編成も小さく,落ち着いた響きだ。
各哀歌は最後に「エルサレムよ,エルサレムよ,神なる主に立ち帰れ」の語句が置かれていて,どの哀歌もこの部分が最も技巧を凝らしたものになっており,今のところ私はこの部分に最も注目(耳?)して聴いている。どれも素敵な曲ばかりなのだが,特にバスソロが歌う「聖木曜日のための第2の哀歌」は非常に気に入っている。最近どちらかというと短調の曲のほうが好みだというのもあるが,器楽によるフーガの開始部がとても私好みなことや,"Ierusalem, Ierusalem,・・・"とバスが入ってくる感じもたまらない。
聖水曜日のための第1の哀歌はバッハのカンタータ54番に似た雰囲気で開始する。このCDを買った当初は,この暗い雰囲気があまり好きでなかったのだが,最近は暗いというより落ち着いた,というイメージを持って聴いている。この数年間の激動がこういう雰囲気の曲を好むようになった原因だと思う。やはり人生経験と音楽の嗜好は密接だということだろう。

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